Jose M. Molina was promoted to the rank of General in the Mexican Army due to his musical contributions throughout the state of Sonora. In addition, he taught all of his children, starting with his first born Alfonso, how to become musicians. Alfonso Molina, a professional musician performing mostly in the 1930s, ?Äô40s and ?Äô50s [...]
Entries Tagged as 'Profiles in Jazz'
El General and Son
April 11th, 2007 david gonzalez · No Comments
Tags: Columns · Issue 15 · Profiles in Jazz
Post Katrina New Orleans Jazz Scene
December 20th, 2006 david gonzalez · 1 Comment
[tag]Darrel ?Sugar Bear? Francis[/tag]. Not Wynton Marsalis. Not Branford Marsalis. Not the Marsalis patriarch Ellis. Darrel ?Sugar Bear? Francis. Jazz bass player. Native of New Orleans. ?First call? sideman (from Fats Domino to Hank Crawford). Leader (contractor for countless numbers of New Orleans musicians for over a quarter of a century). A face to put [...]
Tags: Columns · Profiles in Jazz · vol 03 issue 08
Remembering Vernon
October 25th, 2006 david gonzalez · No Comments
So easy to remember and so hard to forget. Lyrics that might conjure up memories of Ella Fitzgerald or Sarah Vaughan or maybe Billie Holiday. Memories perhaps of them in particular or more precisely of them singing the introductory lyrics to this piece. No, in particular, this is a memory of the bass player that [...]
Tags: Columns · Profiles in Jazz · vol 02 issue 51
Where?s the (Acoustic) Piano?
October 4th, 2006 david gonzalez · No Comments
The playing of [tag]jazz [/tag]found its orgins in relatively small venues indoors, where there was always a [tag]piano (acoustic)[/tag] at hand. The fact that I need to refer to a piano in parenthesis as being acoustic implies that a whole lot of trading-off is going on in lieu of the ?real deal.? The first ?plug [...]
Tags: Columns · Profiles in Jazz · vol 02 issue 48
E Music at Yoshi’s
August 30th, 2006 david gonzalez · No Comments
What is E Music you ask? It could have emanated from Pete Escovedo’s Mexican born father. Or perhaps from listneing to latin dance bands such as Machito and Tito Puente. Or even again when in high school (McClymonds in Oakland) he put down his saxophone to learn latin percussion at the request of a friend [...]
Tags: Columns · Profiles in Jazz · vol 02 issue 43
Bebop & Beyond in Benicia
May 17th, 2006 david gonzalez · No Comments
During the Spring and Summer seasons, the city of Benicia closes off First Street from the 300 block to the end of the block fronting the Carquinez Straits. A somewhat symmetrical line of vendors presenting their fresh wares for a reasonable price, add color and a vibrancy to Benicia?s Farmers Market. Part of this social [...]
Tags: Columns · Profiles in Jazz · vol 02 issue 28
Music Commissioned by the Soul
April 12th, 2006 david gonzalez · No Comments
The introspective evening of new or arranged compositions by Howard Wiley (April 4, 2006 at The Intersection For The Arts in San Francisco), started with an introduction from Daniel Atkinson, a graduate student in Ethnomusicology at the University of Washington. Daniel went to the Louisiana State Penitentiary in Angola, Louisiana in August 2005 to begin [...]
Tags: Columns · Profiles in Jazz · vol 02 issue 23
El General and Son
March 22nd, 2006 david gonzalez · No Comments
Jose M. Molina was promoted to the rank of General in the Mexican Army due to his musical contributions throughout the state of Sonora. In addition, he taught all of his children, starting with his first born Alfonso, how to become musicians. Alfonso Molina, a professional musician performing mostly in the 1930s, ’40s and ’50s [...]
Tags: Columns · Profiles in Jazz · vol 02 issue 21