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6th Street Playhouse production of The Grapes of Wrath Photo by Eric Chazankin.

Packed with poignant moments, the 6th Street Playhouse production of The Grapes of Wrath, adapted by Frank Galati from Steinbeck’s historically detailed novel, embedded a long lasting visual impression. There were scenes/monologues when one could hear a pin drop. The dialog describes the harsh reality of those who fled the dust bowl in the 1930′s in pursuit of the California dream. They found hunger, exploitation, injustice, and violence. Craven’s brilliant cast and stage crew vividly bring the story to life on stage.

The cast of 42 actors work very coherently to orchestrate the Joad family’s plight. As they head from Oklahoma to California in a real life 1930′s truck, songs and recited bits of Steinbeck’s novel help narrate the landscape and time of the novel. The main hero, Tom Joad, performed by Brent Lindsay, reunites with his family in Oklahoma after four years. He meets Jim Casy, performed by John Craven, a preacher with a penchant for women and spirits. Tom finds that his family’s land has been ruined by the infamous dust storms. Having lost everything, the family’s only solution is to move west, where they expect high paying wages and affordable dream houses.

As they venture towards hopeful employment, they meet others who have fled the brutal treatment endured by thousands on the corporate farms in California. Actor, Wendell H. Wilson of San Rafael, delivers a commanding performance as the character “the Man Going Back.” It is beyond moving.

The story does not only portray woe and grief. The production captures moments of laughter and music. The ensemble perform a square dance scene with live folk music. The relationships between each character draw compassion. Unforgettable performances are finely executed by Kate Brickley as the hopeful Ma Joad, Jenifer Cote as the pregnant Rose of Sharon, andnumerous others, including one of my favorite local actors, Justin Scheuer as Al.

The illustration of the story is complete with the lighting design of Tom Watts, costume design of Pamela Johnson, sound design of Jim Peterson, and of course, the unbelievable scenic design of David Lear.

Due to the impact of the production, I have become more interested in the plight of the migrant workers during the depression era. Such a theatrical collaboration makes the stage a viable and educational vehicle. Upon leaving the theatre, I overheard much appreciative raves about the show. It is indeed a powerful production.

Oct 5-27, 2007
52 6th Street, Historic Railroad Square, Santa Rosa
www.6thstreetplayhouse.com
box office (707) 523-4185

Thurs evening &
Sat matinees:
General $20
Senior $15
Youth $15
Children $14

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